METHODS: It is a cross-sectional study. Site: the study is based on data collected in the local community of musicians (music schools, conservatories and music bands from the region).
METHODS: 264 individuals older than 18 years old have participated.
METHODS: semi-structured interviews were conducted.
METHODS: the main variables considered were: presence of pain or discomfort related to musical practice, socio-demographic variables defining the sample (age, gender, profession), variables characterizing the musical trajectory of the participant (instrument, number of years playing, number of hours of practice per week), perception of pain, area of pain, interference with their mood, among others.
RESULTS: 76% of the musicians had experienced PRMD in some occasion, being more frequent among women (p = 0,009; IC 95%), string musicians (p= 0,041; IC 95%) and among those doing less physical activity (p = 0,000006; IC 95%).
CONCLUSIONS: Studying the prevalence of playing-related pain was of great interest, given the potential interventions that could be applied in Primary and Community medical care.
方法:这是一项横断面研究。网站:该研究基于在当地音乐家社区收集的数据(音乐学校,来自该地区的音乐学院和音乐乐队)。
方法:有264名年龄超过18岁的人参加。
方法:进行半结构化访谈。
方法:考虑的主要变量是:是否存在与音乐练习有关的疼痛或不适,定义样本的社会人口统计学变量(年龄,性别,专业),表征参与者音乐轨迹的变量(乐器,玩的年数,每周练习小时数),疼痛的感知,疼痛区域,干扰他们的情绪,在其他人中。
结果:76%的音乐家在某些场合经历过PRMD,在女性中更频繁(p=0.009;IC95%),弦乐音乐家(p=0,041;IC95%)和那些做较少体力活动(p=0,000006;IC95%)。
结论:研究与游戏相关的疼痛的患病率引起了极大的兴趣,考虑到可能在初级和社区医疗中应用的潜在干预措施。