PDF(Pubmed)
Abstract：
This article aims to reflect on the images of childhood in videos featuring child YouTubers playing, analyzing the nature of play portrayed in them and its relationship with the child\'s right to play and be protected against any form of exploitation.
METHODS: A documentary study of 100 videos shared on YouTube was conducted, subjected to categorical content analysis with an emphasis on the modes of participation of adults and children in dialogues with the platform\'s languages present in the videos.
CONCLUSIONS: The boundaries between children\'s artistic expression and child labor exploitation are becoming increasingly challenging, with legal discussions presenting difficulties in regulation due to the home environment and predominant parental control. The analysis reveals how the videos are perceived as standardized commodities, hiding the concrete work behind an image of apparent spontaneity.
CONCLUSIONS: The research highlights contractual digital risks for children, focusing on those related to commercialization. The analyzed videos reflect an instrumentalization of the child\'s basic right to play, associated with market interests, an aspect that takes on the contours of child labor exploitation, compromising the freedom to play spontaneously.
METHODS: A documentary study of 100 videos shared on YouTube was conducted, subjected to categorical content analysis with an emphasis on the modes of participation of adults and children in dialogues with the platform\'s languages present in the videos.
CONCLUSIONS: The boundaries between children\'s artistic expression and child labor exploitation are becoming increasingly challenging, with legal discussions presenting difficulties in regulation due to the home environment and predominant parental control. The analysis reveals how the videos are perceived as standardized commodities, hiding the concrete work behind an image of apparent spontaneity.
CONCLUSIONS: The research highlights contractual digital risks for children, focusing on those related to commercialization. The analyzed videos reflect an instrumentalization of the child\'s basic right to play, associated with market interests, an aspect that takes on the contours of child labor exploitation, compromising the freedom to play spontaneously.
摘要：
本文旨在反思儿童YouTubers玩耍的视频中的童年图像，分析其中所描绘的游戏的性质及其与儿童游戏权的关系，并受到保护免受任何形式的剥削。
方法：对YouTube上分享的100个视频进行了文献研究，进行分类内容分析，重点是成人和儿童参与与视频中存在的平台语言对话的模式。
结论：儿童艺术表现与童工剥削之间的界限变得越来越具有挑战性，由于家庭环境和主要的父母控制，法律讨论在监管方面存在困难。分析揭示了视频是如何被视为标准化商品的，将具体工作隐藏在明显的自发性形象背后。
结论：该研究强调了儿童的合同数字风险，专注于与商业化相关的领域。分析的视频反映了孩子玩耍的基本权利的工具化，与市场利益相关，这是剥削童工的一个方面，自发地损害游戏的自由。
方法：对YouTube上分享的100个视频进行了文献研究，进行分类内容分析，重点是成人和儿童参与与视频中存在的平台语言对话的模式。
结论：儿童艺术表现与童工剥削之间的界限变得越来越具有挑战性，由于家庭环境和主要的父母控制，法律讨论在监管方面存在困难。分析揭示了视频是如何被视为标准化商品的，将具体工作隐藏在明显的自发性形象背后。
结论：该研究强调了儿童的合同数字风险，专注于与商业化相关的领域。分析的视频反映了孩子玩耍的基本权利的工具化，与市场利益相关，这是剥削童工的一个方面，自发地损害游戏的自由。
