Abstract：
Research studies have focused on stimulus features as well as internal or contextual factors to understand aesthetic experience. An important question is the nature of processes that are involved in all aesthetic experiences. One possible process is \"disinterested attention\" that may be necessary for one to have an aesthetic experience. This can be contrasted with a perceiver who attends to an object or event only in a goal-directed or instrumental or practical manner. It has been claimed that \"disinterested attention\" involves attention being focused on the aesthetic object or event while being distributed across its features or components. Other ideas have focused on better reallocation of attention over time. The potential nature of attention could be linked to aspects of mindfulness. Studies looking at the effects of mindfulness on aesthetic experience have shown it increases the frequency of having aesthetic experience. The nature of attention needed for an aesthetic experience can be thought of as a form of generosity that could be linked to the notions of a gift. Mindful attention to objects or life as a gift, perhaps enables us to see objects and perhaps life itself in non-instrumental terms resulting in an aesthetic experience.
摘要：
研究的重点是刺激特征以及内部或上下文因素，以理解审美体验。一个重要的问题是涉及所有审美体验的过程的性质。一个可能的过程是“无私的注意”，这可能是一个人拥有审美体验所必需的。这可以与仅以目标定向或工具或实际方式关注对象或事件的感知者形成对比。有人声称，“不感兴趣的注意力”涉及注意力集中在美学对象或事件上，同时分布在其特征或组件上。其他想法集中在随着时间的推移更好地重新分配注意力。注意力的潜在性质可能与正念的各个方面有关。关于正念对审美体验的影响的研究表明，它增加了拥有审美体验的频率。审美体验所需的注意力的本质可以被认为是一种慷慨的形式，可以与礼物的概念联系起来。注意注意物体或生命作为礼物，也许使我们能够看到物体，也许生活本身在非工具的术语，导致审美体验。
